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Boris Giltburg

Plays The Piano Titans

November 6, 2024
Teatro Niccolini

Titans of the Piano Across Time

Fryderyk Chopin and Sergei Rachmaninoff’s Towering Bb Minor Sonatas.

Sergei Rachmaninoff (1873 – 1943) revered and performed Fryderyk Chopin’s “Funeral March” Sonata in his performances, and went on to create a mirror of this sonata in his own magnificent sonata in the same key. Played by International piano superstar, Boris Giltburg, this promises to be an evening that takes us traveling through time.

Boris Giltburg, Piano

Boris Giltburg is lauded across the globe as a deeply sensitive, insightful and compelling interpreter. Critics have praised his “singing line, variety of touch and broad dynamic palette capable of great surges of energy” (Washington Post) as well as his impassioned, narrative-driven approach to performance.

Giltburg regularly plays recitals in the world’s most prestigious halls, including Amsterdam’s Concertgebouw, Brussels’ Bozar, Hamburg’s Elbphilharmonie, London’s Southbank Centre and Wigmore Hall, New York’s Carnegie Hall, Prague’s Rudolfinum and Vienna’s Konzerthaus. Throughout the 2024/25 season, he embarks on a series of eight concerts performing the entire cycle of Beethoven Piano Sonatas at the Wigmore Hall, all of which will be live-streamed.

Giltburg is widely recognized as a leading interpreter of Rachmaninov: “His originality stems from a convergence of heart and mind, served by immaculate technique and motivated by a deep and abiding love for one of the 20th century’s greatest composer- pianists.” (Gramophone). To celebrate Rachmaninov’s 150th anniversary in 2023, Giltburg released the last disc in his acclaimed Rachmaninov concerto cycle which received a Choc de Classica award and a 5* review in The Times. In recent years Giltburg has engaged in a series of in-depth explorations of other major composers, including Ravel (performing solo works at Bozar, Flagey, the Amsterdam Muziekgebouw and the Wigmore Hall, and concerti with the Orchestre National de France, Brussels Philharmonic and Residentie Orkest) and most recently Chopin, including three recitals at the Wigmore Hall last season.

This season’s Beethoven cycle continues such an exploration as, in 2020 to celebrate the Beethoven anniversary, Giltburg embarked upon a unique project to record and film all 32 of Beethoven’s piano sonatas across the year: “these interpretations are enormously pleasurable and at times revelatory… Giltburg’s pianism is ideally suited to late Beethoven” (five stars, BBC Music Magazine). He also recorded the complete concerti with Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra, appeared in the BBC TV series Being Beethoven.

Giltburg’s list of orchestral collaborators includes the Czech Philharmonic, Dresden Philharmonic, Finnish Radio Symphony, NHK Symphony, Orchestre National de France, Oslo Philharmonic, Philharmonia Orchestra and Santa Cecilia di Roma. In the 2024/25 season, Giltburg explores concerti by a range of composers: he performs Rachmaninov with the Hallé, Bournemouth Symphony and Gulbenkian Orchestra, Prokofiev with Belgian National and Stavanger Symphony, Tchaikovsky with London Philharmonic, Mozart with Hamburger Symphoniker, Shostakovich with Enescu Philharmonic, Bartók with Teatro Colon, and Grieg with Dresden Philharmonic.

Giltburg is a consummate recording artist and has been exclusive to Naxos since 2015, winning the Opus Klassik Award for Best Soloist Recording for Rachmaninov concerti and Etudes Tableaux; a Diapason d’Or for Shostakovich concerti and his own arrangement of Shostakovich’s Eighth String Quartet; and a Choc de Classica Award for Rachmaninov concerti. He also won a Gramophone Award for the Dvořák Piano Quintet on Supraphon with the Pavel Haas Quartet, as well as a Diapason d’Or and Choc de Classica for their joint release of the Brahms Piano Quintet.

Giltburg feels a strong need to engage audiences beyond the concert hall. His blog “Classical Music for All” is aimed at a non-specialist audience, which he complements with articles in publications such as Gramophone, BBC Music Magazine, The Guardian, The Times and Fono Forum.

November 6, 2024 - 20:30