Franz Schubert String Trio in B-flat major, D. 471
-Allegro
-Andante sostenuto
Kashimoto/La Marca/Bohórquez
Gioacchino Rossini Duetto for cello and double bass in D major
-Allegro
-Andante molto
-Allegro
Bohórquez/Shehata
Astor Piazzolla Three Tangos (arr. Bax/Chung)
-Lo que vendrá
-Milonga del ángel
-Libertango
Bax/Chung
Camille Saint-Saëns Carnival of the Animals, with narration by Hershey Felder
Kashimoto/Violin 2 TBD/La Marca/Bohórquez/Shehata/Flute TBD/Clarinet TBD/Ideta
Alessio Bax
Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt “among the most remarkable young pianists now before the public” (Gramophone). He catapulted to prominence with First Prize wins at both the 2000 Leeds International Piano Competition and the 1997 Hamamatsu International Piano Competition and is now a familiar face on five continents as a recitalist, chamber musician, and concerto soloist. He has appeared with over 150 orchestras, including the New York, London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, Baltimore, Cincinnati, Seattle, Sydney, and City of Birmingham Symphony Orchestras, and the Tokyo and NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Fabio Luisi, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden.
Highlights of the 2023-24 season include his debut with the Baltimore Symphony Orchestra, conducted by Sir Andrew Davis, return performances with the Dallas Symphony, Pacific Symphony, Helsinki Philharmonic, and Buenos Aires Philharmonic, his fifth performance at the famed Teatro Colón in Buenos Aires, a tour of Asia with violinist Daishin Kashimoto, and of Japan with flutist Emmanuel Pahud, numerous New York appearances with the Chamber Music Society of Lincoln Center, and a wide range of high-profile chamber music projects, recitals, and concerto performances in Europe, Asia, and across the United States.
As a renowned chamber musician, he recently collaborated with Joshua Bell, Lisa Batiashvili, Ian Bostridge, Lucille Chung, James Ehnes, Vilde Frang, Steven Isserlis, Daishin Kashimoto, François Leleux, Sergei Nakariakov, Emmanuel Pahud, Lawrence Power, Jean-Guihen Queyras, Paul Watkins, and Tabea Zimmermann, among many others.
Since 2017, he has been the Artistic Director of the Incontri in Terra di Siena Festival, a Summer Music Festival in the Val d’Orcia region of Tuscany. He appears regularly in festivals such as Seattle, Bravo Vail, Salon-de-Provence, Le Pont in Japan, Great Lakes, Verbier, Ravinia, and Music@Menlo.
In 2009, he was awarded an Avery Fisher Career Grant, and four years later he received both the Andrew Wolf Chamber Music Award and the Lincoln Center Award for Emerging Artists.
Bax’s celebrated Signum Classics discography includes his latest recital “Forgotten Dances,” “Italian Inspirations,” Beethoven’s “Hammerklavier” and “Moonlight” Sonatas (a Gramophone “Editor’s Choice”); Beethoven’s “Emperor” Concerto; “Debussy and Ravel for Two” and Bax & Chung, two duo disc with Lucille Chung; Alessio Bax plays Mozart, recorded with London’s Southbank Sinfonia; Alessio Bax: Scriabin & Mussorgsky (named “Recording of the Month … and quite possibly … of the year” by MusicWeb International); Alessio Bax plays Brahms (a Gramophone “Critics’ Choice”); Bach Transcribed; and Rachmaninov: Preludes & Melodies (an American Record Guide “Critics’ Choice”). Recorded for Warner Classics, his Baroque Reflections album was also a Gramophone “Editor’s Choice.” He performed Beethoven’s “Hammerklavier” Sonata for Daniel Barenboim in the PBS-TV documentary Barenboim on Beethoven: Masterclass, available on DVD from EMI.
At the age of 14, Bax graduated with top honors from the conservatory of Bari, his hometown in Italy, and after further studies in Europe, he moved to the United States in 1994. He has been on the piano faculty of Boston’s New England Conservatory since the fall of 2019 and serves as co-artistic director of the Joaquín Achúcarro Foundation for emerging pianists.
Bax lives in New York City with pianist Lucille Chung and their daughter, Mila.
Lucille Chung
Born in Montréal, Canadian pianist Lucille Chung has been acclaimed for her “stylish and refined performances” by Gramophone magazine, “combining vigor and suppleness with natural eloquence and elegance” (Le Soir).
She made her debut at the age of ten with the Montréal Symphony Orchestra and Charles Dutoit subsequently invited her to be a featured soloist during the MSO Asian Tour in 1989. Since then, she has performed an extensive concerto repertoire spanning from Bach to Adams with over 70 leading orchestras such as the Philadelphia Orchestra, Moscow Virtuosi, BBC National Orchestra of Wales, Flemish Radio Orchestra, Orquesta Sinfónica de Tenerífe, Orquesta Sinfónica de Bilbao, Staatskapelle Weimar, Philharmonie de Lorraine, Orchestra Sinfonica Siciliana, Belgrade Philharmonic, Seoul Philharmonic, KBS Orchestra, St. Louis Symphony, New Jersey Symphony, Dallas Symphony, UNAM Philharmonic (Mexico), Orquesta Filarmónica de Buenos Aires, MAV Symphony (Budapest), Lithuanian National Symphony, Israel Chamber Orchestra as well as all the major Canadian orchestras, including Montreal, Toronto, Vancouver, National Arts Centre (Ottawa), Calgary, Winnipeg and Métropolitain, among others. She has appeared with conductors such as Krzysztof Penderecki, Vladimir Spivakov, Vasily Petrenko, Yannick Nézet-Séguin, Stéphane Denève, Peter Oundjian, Gerd Albrecht and Charles Dutoit.
As a recitalist, she has performed in over 35 countries in prestigious venues such as the Wigmore Hall in London, New York’s Carnegie Hall and Lincoln Center, the Kennedy Center and Phillips Collection in Washington, D.C., Spivey Hall, the Concertgebouw in Amsterdam, Madrid’s Auditorio Nacional, the Great Hall of the Franz Liszt Academy in Budapest, the Palais des Beaux-Arts in Brussels, the Seoul Arts Center, and Sala São Paulo. Festival appearances include the Verbier Festival in Switzerland, Incontri in Terra di Siena in Italy, MDR Sommer Festival and Moritzburg Festival in Dresden, Lübecker Kammermusikfest, Salon-de-Provence Festival, Santander International Festival and Gijón International Piano Festival in Spain, Við Djúpið Festival in Iceland; Felicja Blumental Festival in Israel, Music@Menlo, Montreal International Festival, Ottawa Chamber Festival, Bard Music Festival in NY, International Keyboard Institute and Festival in NYC, Chang Chun Festival in China, and the Bravissimo Festival in Guatemala.
In 1989, she was recognized on the international scene as the First Prize winner at the Stravinsky International Piano Competition. She won Second Prize at the 1992 Montreal International Music Competition, at which she also won a Special Prize for the best interpretation of the unpublished work. In 1993, she received the Outstanding Achievement Award from the Governor General of Canada and in 1994 won the Second Prize at the First International Franz Liszt Competition in Weimar. In 1999, she was awarded the prestigious Virginia Parker Prize by the Canada Council for the Arts.
She graduated from both the Curtis Institute of Music and the Juilliard School before she turned twenty, where she studied with Seymour Lipkin. She decided to further her studies in London with Maria Curcio-Diamand, Schnabel’s protégée, at the “Mozarteum” in Salzburg with Karl-Heinz Kämmerling and received the Konzertexam Diplom from the Hochschule “Franz Liszt” in Weimar, where she worked with the late Lazar Berman. She was the first non-Italian recipient of the honorary title of “Master” upon graduating from the Accademia Pianistica “Incontri col Maestro” in Imola, Italy. She also worked with Joaquín Achúcarro at Southern Methodist University, where she held the Johnson-Prothro Artist-in-Residence endowed position. Ms. Chung is the recipient of the Honors Diploma at the Accademia Chigiana in Siena, Italy and was named Honorary Professor of the Jilin Arts College in China.
Lucille Chung has been hailed as “a considerable artist, admirable for her bold choice of music” by The Sunday Times for her recordings of the complete piano works by György Ligeti on the Dynamic label. The first volume was released in 2001 to great critical acclaim, receiving the maximum R10 from Classica-Répertoire in France, 5 Stars from the BBC Music Magazine, and 5 Stars in Fono Forum in Germany. The final volume, which also contains works for two pianos, was recorded with her husband, Alessio Bax and once again received the prestigious R10 from Classica-Répertoire. Her all-Scriabin CD won the “Best Instrumental Recording” prize at the 2003 Prelude Classical Awards in Holland as well as the coveted R10 from Classica-Répertoire in France.
She also recorded the two Mendelssohn Piano Concerti on the Richelieu/Radio-Canada label, which was nominated for the Prix Opus in Canada. In August 2005, Bax and Chung recorded Saint-Saëns’ Carnival of the Animals with the Fort Worth Symphony under Maestro Miguel Harth-Bedoya, which was released in 2006. In 2007 she released a solo album for the Fazioli Concert Hall Series. Lucille then embarked on an exclusive contract with Disques XXI/Universal: Piano Transcriptions of Camille Saint-Saëns and Mozart & Me. 2013 marked the release of a piano duo disc with Alessio Bax, presenting Stravinsky’s original four-hand version of the ballet Petrouchka as well as music by Brahms and Piazzolla for Signum Records. In 2015, she released an all-Poulenc album for Signum Records, which was chosen as the “Recording of the Month” on MusicWeb and in 2018, her 13th album titled Liszt Piano Works was released to great acclaim. Her latest album for Signum Records featuring works by Debussy and Ravel was released in 2024.
Lucille is fluent in French, English, Korean, Italian, German, and Russian. She and husband, pianist Alessio Bax make their home in New York City with their daughter, Mila, and are artistic co-directors of the Joaquín Achúcarro Foundation, which seeks to further the careers of young pianists.
Daishin Kashimoto
(Violin)
Both as the soloist of international orchestras and as a sought-after chamber musician, Daishin Kashimoto is a regular guest of major concert halls around the globe. The tremendous wealth of experience gained in over 15 years as first concert master of the Berliner Philharmoniker benefits him in his equally adept role as a soloist, where he plays a wide repertoire ranging from classical to new music.
Recently, Daishin Kashimoto performed Bruch’s Violin Concerto with the Dallas Symphony Orchestra conducted by Fabio Luisi and appeared with the City of Birmingham Orchestra under the baton of Kazuki Yamada, the Gürzenich Orchestra under the direction of François-Xavier Roth as well as the NDR Radio Philharmonic conducted by Thomas Søndergård. A highlight of 2023 is the world premiere of Toshio Hosokawa’s new violin concerto Prayer with the Berliner Philharmoniker under Paavo Järvi at the Philharmonie Berlin, followed by the Swiss premiere at the KKL Luzern with the Lucerne Symphony Orchestra and the Asian premiere at the Suntory Hall with the Yomiuri Nippon Symphony Orchestra. The new season also sees the start of his residency as soloist with the Kurpfälzisches Kammerorchester Mannheim.< /p>
Daishin Kashimoto has appeared with the NHK Symphony Orchestra, Boston Symphony Orchestra, Orchestre National de France, the Bavarian, Hessian, and West German Radio Symphony Orchestras, the Orchestre de la Suisse Romande, and the St Petersburg Philharmonic Orchestra under conductors such as Mariss Jansons, Seiji Ozawa, Lorin Maazel, Yehudi Menuhin, Paavo Järvi, Myung-Whun Chung, Daniel Harding, and Philippe Jordan. He can also be heard as a soloist in concerts with the Berliner Philharmoniker. Past engagements include Mozart’s Sinfonia Concertante at the Grafenegg Festival and Lucerne Festival, Prokofiev’s Violin Concerto No. 1 under the baton of Sir Simon Rattle, and Tchaikovsky’s Sérénade Mélancolique and Valse Scherzo at Berlin’s Waldbühne under direction of Andris Nelsons.
As a chamber musician Daishin Kashimoto has appeared alongside Martha Argerich, Yuja Wang, Leif Ove Andsnes, Alessio Bax, Emmanuel Pahud, Itamar Golan, Tabea Zimmermann, Yefim Bronfman, Claudio Bohórquez and Konstantin Lifschitz, among others. With Konstantin Lifschitz, he also recorded a highly acclaimed CD of Beethoven’s Violin Sonatas in 2014. His other recordings include a CD of Brahms’ Violin Concerto with the Staatskapelle Dresden under Myung Whun Chung for Sony Music.
His parents introduced him to various instruments early on, with the three-year-old opting for the violin and receiving his first lessons in Tokyo. After moving to the United States, Daishin Kashimoto was accepted, at the tender age of seven, as the youngest student to ever attend Julliard School’s pre-college program; at age eleven, he transferred to the Lübeck University of Music under Zakhar Bron, before becoming a student of Rainer Kussmaul at the Freiburg University of Music from 1999 to 2004. He also had great success in major competitions as a teenager, taking first prize at the Menuhin Junior International Competition in 1993, the Cologne Violin Competition in 1994, and in 1996 at the Vienna Fritz Kreisler and the Long-Thibaud Competitions. Daishin Kashimoto has been the artistic director of the Le Pont Music Festival in Ako and Himeji (Japan) since 2007. He plays on a del Gesu 1744 “de Beriot” kindly loaned by Crystco, Inc. and its chairman Mr. Hikaru Shimura.
Adrien La Marca
(Viola)
Hailed by The Financial Times as a truly pure talent and described by Le Monde as a new viola heroAdrien La Marca’s playing is characterised by a depth of expression, technical mastery and a sound with rich, deep, burnished quality. Gifted with a charismatic stage presence and ability to create an immediate emotional connection with his audience, Adrien La Marca is considered as one of today’s most compelling musicians.
As a soloist, La Marca has performed with renowned Orchestras such as Orchestre National de France, Orchestre Philharmonique de Radio-France, Leipzig Radio Symphony Orchestra (MDR), Polish National Radio Symphony Orchestra, Hong-Kong Sinfonietta, Orchestre Philharmonique Royal de Liège (artist in residence for 2018-19 season), Insula Orchestra, Les Siècles, L’Orchestre de la Loge, Orchestre du Capitole de Toulouse, Orchestre de Metz and more.
His first album, « English Delight », released in 2016 for the Label La Dolce Volta, has been highly praised by the press (The Strad, Gramophone, Strings Magazine, Le Monde, Le Figaro, Diapason, Classica, etc. ) and awarded Diapason d’OR, FFFF Telerama, Coup de Coeur FNAC, France Musique, Radio Classique and Gramophone’s choice. His second recording “HEROES” includes Walton Viola Concerto with Orchestre Philharmonique Royal de Liège, a World Premiere of Gwenaël Mario Grisi’s Viola Concerto written for him and Prokofiev Romeo and Juliet. It is the first time this has been recorded for solo viola and orchestra. His latest recording, “Chanson Bohème” contains a wild range of styles, from unknown gem Hans Sitt cycle, through valses, film music and even french chansons. Born in Aix-en-Provence, France in 1989 to a family of musicians, Adrien La Marca began playing piano and viola at the age of 4. He entered Paris Conservatoire at 16 and studied with Jean Sulem. He completed his studies in Leipzig with Tatjana Masurenko and further in Berlin with Tabea Zimmermann. During his studies, Adrien was regularly invited to take part in different Musical Academies and had the opportunity to work with inspiring musicians including Seiji Ozawa, Valery Gergiev, Gidon Kremer, Andras Schiff and Menahem Pressler. In 2016, La Marca was the first classical musician to receive the prestigious “Fondation Lagardère” Grant. He is a winner of the “Fondation Banque Populaire” and supported by “L’Or du Rhin” and the “Safran” Foundation. La Marca has additionally won numerous prizes in international competitions including William Primrose Competition, Lionel Tertis Competition and Johannes Brahms Competition. La Marca plays an outstanding viola by Nicola Bergonzi made in Cremona in 1780, on generous loan from the Boubo-Music Foundation.
Claudio Bohórquez
(Cello)
The German-born cellist of Peruvian-Uruguayan descent is one of the most sought-after musicians in his field. As a student of Boris Pergamenschikow, Claudio Bohórquez achieved success at an early age at international competitions such as the Tschaikowsky Youth Competition in Moscow and the Rostropovich Cello Competition in Paris.
This culminated in 2000 with three awards at the first International Pablo Casals Competition held under the auspices of the Kronberg Academy: Marta Casals Istomin presented Claudio Bohórquez with first prize, a special award for the best chamber music, and also the use of Casals’ Gofriller cello for a period of two years. He also won first prize at the International Music Competition in Geneva, an achievement that marked the start of his career as a soloist. Meanwhile he has become a teacher himself: from 2011 to 2016 he was professor at the Musikhochschule Stuttgart, in September 2016 he was appointed to the Hochschule für Musik “Hanns Eisler” Berlin, where he has been a guest professor since 2003.
Among others, Claudio Bohórquez has performed with almost all German radio orchestras, the Staatskapelle Dresden, the Leipzig Gewandhaus Orchestra, the Wiener Symphoniker, the Collegium Musicum Basel, the Orchestre de Paris, the Orchestre Philharmonique de Radio France, the Tonhalle Orchestra Zurich and the Academy of St. Martin in the Fields. In Japan, he performs with the NHK Symphony Orchestra and the Tokyo Philharmonic Orchestra. In the US, Claudio Bohórquez recently gave concerts with the Boston Symphony, Chicago Symphony, Cleveland Orchestra, Detroit Symphony, Los Angeles Philharmonic, National Symphony and the Philadelphia Orchestra.
Renowned conductors Claudio Bohórquez has worked with include Daniel Barenboim, Christoph Eschenbach, Manfred Honeck, Sir Neville Marriner, Eiji Oue, Krzysztof Penderecki, Leonard Slatkin, Tugan Sokhiev, Lothar Zagrosek and David Zinman.
Claudio Bohórquez is a guest at numerous festivals. Among them are the Casals Festival in Puerto Rico, the City of London Festival, the Penderecki Festival in Warsaw and the Jerusalem International Chamber Music Festival. Appearances in the United States have included performances at the Tanglewood, Ravinia and Aspen Festival as well as the Hollywood Bowl. He participated in the chamber music festival Lockenhaus in Austria and at Gidon Kremer’s festival “Les Musiques” in Basel. As a passionate chamber musician, he has performed together with Jörg Widmann in Bilbao/Madrid, and with Viviane Hagner and Jonathan Gilad at the Beethoven Marathon at Konzerthaus Berlin.
The past seasons have led the artist to many festivals, including: a. to the Rheingau Music Festival with the Columbian Youth Philharmonic under Andrés Orozco-Estrada, to the Dresden Music Festival with a Chamber Music Project together with the violinist Philippe Quint and the pianist Boris Giltburg, to the Schleswig-Holstein Music Festival and the Rheingau Music Festival. The upcoming season includes, among others, the Elbphilharmonie debut on November 8, 2018 and an Elgar cello concert with the Staatsphilharmonie Nürnberg on February 15, 2019.
In addition to numerous CD recordings, radio recordings and television appearances Claudio Bohórquez worked as an interpreter for the soundtrack of Paul English by to the film “Ten Minutes Older – The Cello”, which was shown in theaters worldwide. Together with the painter Klaus-Peter Kirchner, Claudio Bohórquez developed the installation project “Raum für Pablo Casals” in homage to this great cellist. He was part of the ECHO-winning album “Four Seasons” (2017) of Daniel Hope, released by Deutsche Grammophon. In July 2018 Berlin Classics will release a new CD with the sonatas of Johannes Brahms and some bonus tracks together with Claudio Bohórquez’s duo partner Péter Nagy.
Since the season 2017/18 Claudio Bohórquez is Artistic Director of the Festival Winnenden.
Claudio Bohórquez plays a G. B. Rogeri violoncello presented to him by the Landeskreditbank Baden-Württemberg.
Nabil Shehata
(Double Bass)
The BBC Music Magazine honoured Nabil Shehata’s realisation of this intention by presenting him with the BBC Music Award for the best orchestral recording 12|2021.
Nabil Shehata’s career began as principal bass player with the Staatskapelle Berlin and the Berlin Philharmonic. As a conductor, he has been mentored and taught by Christian Thielemann, Rolf Reuter, and Lawrence Forster, among others. He was chief conductor of Philharmonie Südwestfalen from 2019 to 2024 and has recently< conducted as a guest, among other ensembles, the Deutsche Kammerphilharmonie Bremen, the Stuttgart Philharmonic, the Munich Radio Orchestra, the Robert Schumann Philharmonic, and the Luxembourg Philharmonic Orchestra. Not long ago, he made his conducting debut with great success at the sold-out Elbphilharmonie. Prior to his current position, he was the chief conductor at the Munich Chamber Opera, and broadened his experience at the Berlin State Opera as an assistant to Daniel Barenboim. As a professor of double bass in Munich and Berlin as well as a member of the West-Eastern Divan Orchestra, he has passed on his experience to younger musicians for many years. In his hometown of Verden, Shehata founded the “Maiklänge” chamber music festival, which is a heartfelt project for him to organize high-quality concerts where he grew up.
