About us
Artistic Director and Supporter
Hershey Felder
Artistic Director of FirenzeOnStage and Supporter
Hershey Felder is an internationally acclaimed actor, playwright, pianist, composer, director, filmmaker, producer, and cultural entrepreneur whose extraordinary career has brought together the worlds of theatre, music, film, opera, and international cultural leadership. Through a unique combination of virtuoso musicianship, dramatic storytelling, historical scholarship, and cinematic vision, Felder has created a body of work that has reached audiences on both sides of the Atlantic and established him as one of the most distinctive artistic voices of his generation.
A Steinway Concert Artist, Felder has performed thousands of acclaimed performances on major stages throughout the United States, Canada, Europe, and beyond. His landmark theatrical works—including George Gershwin Alone, Monsieur Chopin, Beethoven As I Knew Him, Maestro: Leonard Bernstein, Hershey Felder as Irving Berlin, Our Great Tchaikovsky, A Paris Love Story, and many others—have brought the lives, passions, struggles, and music of history’s greatest composers to contemporary audiences.
Since the premiere of George Gershwin Alone, Felder has become internationally recognized as the foremost creator and performer of theatrical works about composers. His productions have enjoyed extended and sold-out engagements in some of the world’s most important cultural centers, including Broadway, London, Los Angeles, Chicago, Toronto, San Francisco, Washington, D.C., and throughout Europe. His work has broken box-office records, received major critical acclaim, and introduced generations of audiences to classical music through an entirely new form of music theatre.
Felder’s extraordinary range extends well beyond the traditional stage. As a filmmaker and producer, he founded Live From Florence, an international arts production and broadcasting company dedicated to bringing exceptional theatre and music to audiences worldwide. His filmed works include Noble Genius: Chopin & Liszt, The Assembly, Dante and Beatrice, Violetta, Mozart and Figaro in Vienna, Anna & Sergei, Puccini, Before Fiddler, Great American Songs and the Stories Behind Them, among many others. Through these productions, Felder has pioneered a distinctive form of cinematic music theatre, allowing performances created for the stage to reach audiences far beyond the theatres in which they originated.
His creative journey has also led him into the world of opera. In 2023, Felder premiered his original Italian opera, Il Quarto Uomo (The Fourth Man), at the magnificent ancient Roman Theatre of Fiesole near Florence, in collaboration with the Maggio Musicale Fiorentino. The work tells the extraordinary true story of the Martyrs of Fiesole—three young Carabinieri who, during the Nazi occupation of Tuscany in August 1944, sacrificed their lives in order to save ten Italian civilians.
At the center of Felder’s opera is also the forgotten story of Francesco Naclerio, the “fourth man” and sole survivor of the tragedy. By bringing Naclerio’s story back into the light, Felder transformed a largely forgotten episode of Italian history into a powerful work of contemporary opera, exploring courage, sacrifice, memory, love of country, and the moral choices of individuals in extraordinary circumstances. Featuring an international cast led by acclaimed opera star Nathan Gunn, Il Quarto Uomo marked a significant new chapter in Felder’s artistic career and established him as a contemporary composer of opera with a profound connection to Italy and its history.
Felder’s relationship with Italy has subsequently become an increasingly important part of his international artistic vision. As Artistic Director of Firenze On Stage and the historic Teatro Niccolini in Florence, he has helped transform one of Italy’s great historic theatres into an international cultural destination. Under his artistic leadership, the theatre has welcomed celebrated figures from theatre, film, television, music, dance, and literature, creating a program that connects Florence with the most exciting artistic voices from around the world.
His Florence work reflects a larger philosophy that has defined his career: the belief that great art should transcend national and disciplinary boundaries. From the great concert stages of North America to London’s West End, from Broadway to Tuscany, Felder has continually created bridges between American and European artistic traditions.
His career has also included collaborations and presentations involving some of the most celebrated artists of contemporary culture, further reflecting his extraordinary ability to bring together major figures from the worlds of theatre, cinema, music, and the performing arts.
A former Scholar-in-Residence at Harvard University’s Department of Music, Felder is also a prolific composer whose work encompasses orchestral music, chamber music, musical theatre, opera, recordings, and film. Through Eighty-Eight Entertainment and Hershey Felder Presents, he continues to develop ambitious international productions that combine music, history, literature, visual storytelling, and live performance.
Whether performing at the piano, portraying one of history’s great musical figures, composing a new opera, directing a film, producing an international theatrical event, or revitalizing a historic European theatre, Hershey Felder has consistently pursued the same artistic mission: to make great music and great stories immediate, emotional, intelligent, and unforgettable.
Today, Hershey Felder stands as one of the most original and internationally accomplished figures in contemporary music theatre—a rare artist whose career encompasses the concert stage, Broadway, the West End, film, opera, and cultural leadership. His work continues to connect audiences across continents with the enduring power of music, history, and the human imagination.
"Theater is where emotions become a shared experience"
Hershey Felder
executive producer
John Yonover
Executive Producer of FirenzeOnStage
Produced and invested in more than 70 productions on Broadway, Chicago and London’s West End, including Memphis The Musical (Broadway, London and US Tour), Something Rotten (Broadway, US Tour and Manchester), Enron, The Addams Family, Dee Snider’s Rock and Roll Christmas (Toronto and Chicago), Six (Broadway and US Tour), The Play That Goes Wrong (Broadway, Off Broadway, US Tour), Peter Pan That Goes Wrong (Broadway and Los Angeles), Magic That Goes Wrong (London), A Comedy About Spies, Xmas Carol Goes Wrong, Dear Evan Hansen, Network with Bryan Cranston (Broadway), The Lehman Trilogy (Tony Award), A Beautiful Noise, First Date, Magic Mike Live (London and New York), Come From Away (London, Broadway, US Tour, Australia and Toronto), Windfall (Directed by Jason Alexander), and Mrs. Doubtfire The Musical (Broadway and London) to name a few. The Heart, an exciting new musical opens in New York in the fall of 2026.
John appeared as a guest judge on one musical theatre inspired episode for Donald Trump’s ‘Apprentice’ alongside producer Daryl Roth and actress Kristen Chenoweth. He has produced two feature films Fly Away & Alto and is a producer of the three short films Kamerad, There Is Something I Have to Tell You, and To Do List. John and his wife of almost 40 years, Evonne, are beyond excited to be a part of Firenze on Stage in the city that they first fell in love 42 years ago.
our team
The People Behind Every Show
Executive Director
“Lilla” Fiumi DiFlorio was born and raised in Florence, in a family steeped in the city’s artistic and cultural life. At 18, she left for New York to study theater and stayed to build a career in independent film and television production.
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Working behind the camera at a time when few women did, she became the first full-time female camera operator in reality television, with credits spanning camera work, producing, and directing on groundbreaking shows including The Real World.
After decades in the United States, including a second career in healthcare, Lilla returned permanently to Florence and to the arts. She now serves as Executive Director of FirenzeOnStage at Teatro Niccolini, where her Florentine roots, her theater and film background, and her production experience converge. It’s a role that feels less like a departure than a homecoming: a chance to bring everything she’s learned back to the city that shaped her.
Director of Operations
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After graduating in Interpretation from the School of Interpreters and Translators in Florence in 1986, she went on to gain over thirty years of experience in international relations, working with Italian and international companies and travelling extensively throughout Europe, Asia, the United States and Africa. Her work has focused on international market development, intercultural mediation, human resources and editorial coordination.
Over the years, she has combined her work in linguistic and intercultural mediation with a parallel path in theatre, which continues to be a space for research, relationships and exchange.
She is currently the Organisational Director of Teatro Niccolini in Florence, where she brings this experience to the care of the organisation and the relationships that underpin theatrical work.
Production Director
Erik Carstensen is an accomplished sound designer, production manager and producer whose career has been closely intertwined with the theatrical work of Hershey Felder for nearly two decades. Since 2008, Carstensen has been a key member of the creative…
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…and production team of Hershey Felder Presents and Eighty-Eight Entertainment, contributing his expertise to productions presented throughout the United States and internationally.
His extensive credits with Hershey Felder include Hershey Felder as Irving Berlin, George Gershwin Alone, Franz Liszt in Musik, Beethoven As I Knew Him, Maestro Bernstein, Our Great Tchaikovsky, A Paris Love Story, An American Story, Abe Lincoln’s Piano, The Pianist of Willesden Lane, Louis and Keely: “Live” at the Sahara, Jamaica Farewell, Baritones Unbound, Jack Lemmon’s Son, and Rockstar, among numerous other productions. He served as Sound Designer and Production Manager on many of these works and as Producer or Line Producer on several productions. His work on Beethoven As I Knew Him was recognized with an Ovation Award, while The Pianist of Willesden Lane received an Ovation Award nomination.
Carstensen’s career also includes 15 years at San Diego’s historic Old Globe Theatre, where he served as Master Sound Technician from 1997 to 2012 and worked as Production Engineer on more than 60 productions. His extensive theatre credits include Allegiance, Robin and the Seven Hoods, A Catered Affair, Dirty Rotten Scoundrels, Chita Rivera—A Dancer’s Life, Dr. Seuss’ How the Grinch Stole Christmas!, The Full Monty, Dirty Blonde, and Floyd Collins.
A trusted creative collaborator of Hershey Felder, Carstensen has played an essential role in bringing Felder’s distinctive combination of theatre, music, technology and storytelling to audiences around the world.
Technical Director
Born in Rome, Fabrizio Bellacosa developed a passion at a young age for everything related to the world behind the scenes and stagecraft: set design, costumes, sound, lighting, special effects, and mystical stage machinery. He took his first steps as a lighting…
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…technician in the musical theatre world at just 14 years old. Graduated with top honors in Stagecraft and Theatrical Lighting Design from RUFA (Rome University of Fine Arts). With his highly versatile skillset, he embarked on a career spanning the entire spectrum of the entertainment industry – including theatre, cinema, television, and concerts – working as a set designer and stage technician, as well as a lighting and sound technician.
Driven by a lifelong passion for archaeology and history, he began to focus on italian historic theatres – venues to which he is deeply dedicated, approaching them with a commitment rooted in study and careful stewardship. After spending several years with ATER Fondazione Emilia-Romagna – where he oversaw technical direction in theatre such as the Girolamo Magnani Theatre in Fidenza (Parma) and the Giuseppe Verdi Theatre in Busseto (Parma) – he turned his attention to historic theatres in neighboring regions. This led him to discover the Teatro Niccolini in Florence and, subsequently FirenzeOnStage; so he began collaborating with them on technical management, striving daily to enhance the technical capabilities of this historic cultural place.
Associate Artistic Director
Jonathan Silvestri serves as Artistic Associate of Teatro Niccolini in Florence, where he collaborates with Artistic Director Hershey Felder on the development of international artistic initiatives, productions, and cultural partnerships that connect the historic…
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…Florentine theatre to audiences throughout Europe and North America.
A British-Roman actor with a truly international career, Silvestri has earned recognition across theatre, film, and television for his versatility, linguistic range, and compelling stage presence. Trained in London and working internationally for more than two decades, he has built a distinguished body of work that bridges the worlds of classical theatre, contemporary drama, cinema, and television.
A frequent artistic collaborator of Hershey Felder, Silvestri has garnered international acclaim for creating the role of Tsar Nicholas II opposite Felder’s Sergei Rachmaninoff in the celebrated musical drama Rachmaninoff and the Tsar. Following its premiere and subsequent productions at major American theatres, including TheatreWorks Silicon Valley, South Coast Repertory, Writers Theatre in Chicago, and People’s Light in Pennsylvania, his portrayal of the last Romanov ruler was praised for its authority, emotional depth, and dramatic power. The production marked a milestone in Felder’s distinguished career as the first of his composer dramas to feature another actor sharing the stage, establishing Silvestri as a key collaborator in a landmark international theatrical work seen by audiences throughout North America.
His screen credits include major international productions such as HBO’s Borgia, Paolo Sorrentino’s The Young Pope, Devils, Dakota, Miss Fallaci, and numerous feature films and television productions throughout Europe and the United States. Equally at home on screen and stage, Silvestri has become a familiar presence in both Italian and international entertainment industries.
On stage, he has appeared in productions ranging from Shakespeare’s Julius Caesar to Patrick Marber’s Closer, Our Country’s Good, and numerous contemporary works. His performances are distinguished by a commitment to authenticity, intellectual rigor, and a deep understanding of character and storytelling.
Recent projects include portraying the painter Eugène Delacroix in Hershey Felder’s feature film Noble Genius: Chopin & Liszt, appearing opposite James Franco in the feature film Hey Joe, and participating in numerous theatrical and cinematic productions devoted to historical figures, artists, and cultural icons whose stories continue to resonate with contemporary audiences.
At Teatro Niccolini, Silvestri brings a global artistic perspective shaped by years of professional experience across multiple countries, languages, and performance traditions. His commitment to artistic excellence, international collaboration, and audience engagement supports the theatre’s mission to position Florence as a world-class destination for music, theatre, film, and cultural exchange.
Audio Technician and Production Assistant
Jeremy was born in Prato, Italy, to an Italian mother and a German father. Raised in a multicultural environment, he speaks four languages and developed a strong passion for music and audiovisual production from an…
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…early age. In 2022, he graduated from Bournemouth University (UK) with a degree in Music and Sound Production Technology. Alongside his academic training, he has worked as a DJ in Italy and abroad, as well as a music producer under the artist name Jeremy Artur.
That same year, shortly after graduating, he met Hershey Felder on the set of a film and began an internship with him. This experience led to a collaboration with Hershey Felder Presents (HFP)as an audio technician for film productions and, subsequently, at the Teatro Niccolini as an audio technician and production assistant.
His professional journey combines musical, technical, and production skills, developed through international experiences across the worlds of music, film, and theatre.
Communications and Promotion Manager
Francesco Ricceri has worked in communications for over ten years, across cultural projects, institutional communications, digital publishing, and political campaigns. He began his career as a web editor and social…
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…media manager before managing the digital communications of Expo Rurale Toscana. In 2013, he founded Toc Toc Firenze, a web magazine dedicated to Florence and contemporary culture, coordinating a team of more than sixty contributors and developing projects with universities and institutions over six years.
He has worked as a copywriter for Fondazione Il Cuore si scioglie, as a digital communications specialist at the University of Siena, and as a lecturer in communications and new media. From 2019 to 2025, he was part of Unicoop Firenze’s institutional communications team, working on multichannel campaigns, media relations, digital projects, and events. He has also worked as a campaign manager and political strategist for local and regional election campaigns, overseeing strategy, content, and communications teams.
Today, he works as a communication strategist and independent consultant for public bodies, companies, cultural organizations, and public officials. He is also Communications and Promotion Manager for FirenzeOnStage and Teatro Niccolini, where he oversees communications around the program, promotional campaigns, and relationships with artists and partners.
Audiovisual Specialist
Born in Florence in 1983, Stefano Decarli is an Italian filmmaker whose work moves effortlessly between cinema, documentary, theater, music, photography, and contemporary visual storytelling. His career is distinguished by an uncommon combination of…
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…technical precision, cinematic sensitivity, and an instinct for discovering the human story within every subject.
After graduating from the University of Florence in 2010 in Agricultural Sciences and Sustainable Rural Development, Decarli embarked on an international career that took him to Iraq, where he spent two years working for the Italian Ministry of Foreign Affairs, coordinating international development and reconstruction programs in collaboration with the United States Department of Defense and the United States Department of State. The experience profoundly broadened his perspective, exposing him to cultures, people, landscapes, and realities far beyond Italy and helping shape the observational eye that would become central to his filmmaking.
During this period, Decarli was increasingly drawn to visual communication, photography, and film. What began as a parallel passion gradually became his profession and artistic vocation. Since then, he has worked throughout Italy and Europe on multimedia productions, feature films, documentaries, live theater, music videos, and commercial and corporate projects. His work encompasses the entire visual process—from concept and cinematography through editing, color, post-production, and visual design.
Decarli possesses a particular gift for filming performance. His camera does not simply document an event; it searches for atmosphere, emotion, gesture, intimacy, and the invisible connection between performer and audience. This sensibility has made him an important creative collaborator in the world of international theater and music.
Since 2020, Decarli has worked extensively with internationally acclaimed pianist, actor, director, composer, and producer Hershey Felder, filming, co-directing, editing, and creating visual material for theatrical productions, films, and documentaries. Their collaboration has brought his filmmaking to audiences far beyond Italy and has encompassed projects in the United States, Italy, and Europe.
Among their collaborations is Musical Tales of the Venetian Jewish Ghetto, the 2023 Italy-USA documentary directed by Hershey Felder, for which Decarli served as cinematographer and editor. The film, which explores the history, music, culture, and extraordinary visual world of Venice, premiered internationally and was presented by the Miami Jewish Film Festival.
Decarli has also collaborated internationally on Felder’s Rachmaninoff and the Tsar, serving as Video Designer and bringing his cinematic language into the theatrical environment.
His documentary work extends well beyond the performing arts. In 2023, he collaborated with American director Madison Kinsella on A Castle for Kyiv, a short documentary about Ukrainian refugees in Italy.
In 2026, Decarli directed, photographed, and edited Paolo Ulian. Design lento, a documentary produced by ISIA Firenze and created in collaboration with designer and writer Tommaso Bovo. The film follows the life and creative world of internationally recognized designer Paolo Ulian through the landscapes that shaped his work—from the sea of Massa and the Apuan Alps to the marble quarries of Carrara and his years in Milan. The project reflects Decarli’s continuing interest in transforming the stories of creative people into cinematic experiences accessible to a broad audience.
His filmmaking is complemented by an extensive background in photography, visual communication, graphic design, color correction, and post-production. Decarli approaches each project as an integrated visual composition, understanding that light, color, movement, editing, sound, and image are not separate elements but parts of a single cinematic language.
He has also directed music videos and other cinematic projects, including the 2022 music video Like a Virgin for Little Violet with Alfredo Rey and His Orchestra.
Alongside his professional filmmaking career, Decarli is a professor of Multimedia Languages at ISIA Firenze, where he brings his professional experience into the education of a new generation of designers and visual storytellers. His work at ISIA reflects his belief that contemporary visual communication is not simply about technology or aesthetics, but about finding compelling ways to tell the stories of people, ideas, and culture.
Stefano Decarli’s career is ultimately defined by curiosity: a curiosity about people, places, artists, and the worlds they create. From the streets of Florence to international theaters and film projects, from documentary portraiture to live performance, his camera seeks not merely to record what is happening, but to reveal why it matters.
Stefano Decarli is a filmmaker of the human image—an artist whose work brings together cinema, theater, music, design, and documentary storytelling with an unmistakably Italian eye and an increasingly international voice.
Front of House
Caterina Baronti is a Gemini, so you never know which of her personalities you’re talking to. The domineering one is the one who likes to write.
In Florence, she became a freelance journalist; in Rome, she graduated in playwriting from the Silvio d’Amico Academy of Dramatic Arts; in Milan…
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… she works in TV. What else is there to say about her, dramatically speaking? She knows that the manuscript tucked away in her drawer could revolutionize Italian literature, but she won’t write it anyway. She’s currently working on the reason why with her therapist. However it goes, she is on a journey toward a destination she doesn’t yet know—and at 30, maybe it’s right not to know yet.
FIRENZEONSTAGE
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