I Found My Horn – A Musical Play

Written By Jonathan Guy Lewis and Jasper Rees,
Directed by Harry Burton
Based on Rees’ best selling memoir “I Found My Horn.”

I FOUND MY HORN, musical one man play based on the best selling book by International Journalist JASPER REES and written by JONATHAN GUY LEWIS and JASPER REES, starring JONATHAN as JASPER. The result of a mid-life crisis is that a man finds the French Horn of his youth, and confronts his entire life as he tries to make music once again.

“A WRYLY FUNNY, INFINITELY TOUCHING account of the joys and hazards of making music and confronting one’s private demons. Spectacular!” – Michael Billington, The Guardian

“This musical show provides what’s need in such dark days: the occasional lift out of the humdrum and a shot of pure joy. LAUGH OUT LOUD FUNNY!” – Charles Spencer, Daily Telegraph

“This is A GEM. VIRTUOSO ACTING full of humour, and a passion for music. Lewis fills the house with the feeling that if music be the food of love, it must also be the food of life.” – John Peter, The Sunday Times

Jonathan Guy Lewis

(Playwright/Jasper)

Jonathan Guy Lewis has worked extensively as an actor, writer, director, teacher, mentor and coach for over thirty years and has won a number of awards for his work. An ex-army scholar, he has a degree from Exeter University in Politics & Society and is a graduate from the Guildhall School of Music and Drama.

Whilst there he adapted and performed a highly acclaimed one-man musical, ‘Skylark’, which he subsequently performed with the National Student Theatre Company. After leaving Drama School he worked in Repertory Theatres up and down the country, including Harrogate, Colchester, Leeds, York. Plays included ‘She Stoops to Conquer’‘Colours’‘London Assurance’‘Brighton Beach Memoirs’‘How The other Half Loves’. He then joined the NT and was in the production of ‘Peer Gynt’ directed by Declan Donnellan as well as helping to develop a number of projects at the NT Studio. He went on to play Gerald Croft in Stephen Daldry’s highly acclaimed production of ‘An Inspector Calls’ at The Aldwych Theatre in The West End. He toured the US with a production of ‘Hamlet’ and appeared in Derby Playhouse and Hampstead Theatre’s European premiere of Andrew Bovell’s ‘Speaking in Tongues’ as well as Neil Simon’s ‘Gingerbread Lady’ with Lesley Joseph. Another highlight was acting alongside Rob Lowe and Suranne Jones in the West End premiere of Aaron Sorkin’s Broadway hit which subsequently became the movie ‘A Few Good Men’ at the Theatre Royal Haymarket. He also starred in Ayckbourn’s ‘Absent Friends’ at Watford Palace, and ‘Protest’‘Mountain Hotel’, and ‘Green Wash’, all at the Orange Tree in Richmond as well as ‘Myth, Propaganda, and Disaster in Nazi Germany and Contemporary America’, by the Australian playwright Stephen Sewell. Further productions at Hampstead include ‘Alphabetical Order’ and ‘Elephants’, and ‘Perfect Pitch’ at The Soho Theatre. Since then, he has played Eddie Carbone in a National Tour of ‘A View from The Bridge’ for The Touring Consortium, directed by Steve Unwin. And Dr John Hall in Peter Whelan’s ‘The Herbal Bed’, directed by James Dacre, originating in Northampton and then a UK tour. He also starred in a production of his play, ‘The Be All & End All’ at York Theatre Royal and on tour. It was directed by Damian Cruden.

Back in the late 90’s, his regular television roles made him a familiar face on the small screen. They included Sgt Chris McCleod in ‘Soldier, Soldier’, and Station Officer Chris Hammond in ‘London’s Burning’, both for ITV. Whilst starring as Ian Bentley inCoronation Street, over twenty million viewers tuned in to see bride-to-be, Sharon’s (Tracie Bennett) attack on Ian at the alter! He was then seen as Ray Winstone’s brother-in-law in the series for Granada, ‘Vincent’. Other television credits include, ‘Skins Redux’‘Endeavour’‘Desperados’‘Silent Witness’, ‘Sea Of Souls’‘Holby’‘Heartbeat’‘Casualty’, ‘Inspector Morse’‘Peak Practice’, and ‘The Governor’. His most recent television appearance will be in the forthcoming reboot of the classic UK detective series Bergerac.

His first play as a writer was ‘Our Boys’. Based on his own experiences of being invalided out of the military, it won The Writers’ Guild Award for Best New Fringe Play, and he was named as the TAPS new Television Writer of The Year, as well as being nominated for The Lloyds Bank Playwright of The Year. His other work includes ‘A Comedy of Arias’ at The Pleasance, Edinburgh and as part of ‘A Pick Of The Fringe’ season at The New Ambassadors Theatre in London’s West End, as well as his own play ‘All Mouth’ at The Menier Chocolate Factory. He wrote and directed ‘Pitch Perfect’ at Soho Theatre, and again at Tristan Bates, and a further production at The Tabard, as well as writing and performing in ‘My First Trainers’, also at The Tristan Bates Theatre in Covent Garden. He has also freely adapted a German play, ‘Rock and A Hard Place’, which he directed at The Tristan Bates Theatre and at the Brighton Fringe Festival. More recently he co-wrote ‘I Found My Horn’ which he has performed all over the world – from London’s Hampstead Theatre and The West End to theatres and festivals in Buxton, Bridport, Ludlow, and in Copenhagen, Lisbon, Abu Dhabi, Istanbul, Bangalore, Zurich, Toronto, New York, LA and The Laguna Beach Playhouse. He has also directed ‘The Club’ by David Williamson and Chris England’s hit, ‘Breakfast with Johnny Wilkinson’ also at The Menier Chocloate Factory and at the Edinburgh Fringe, as well as Chris England’s comedy ‘Twitstorm’ at The Park Theatre. He has also written for television, including primetime dramas for Granada, Carlton, LWT, Pearson and The BBC as well as writing and directing a number of short films.

 

Jasper Rees

(Playwright) Jasper Rees is a journalist who has written regularly for many newspapers and magazines, principally about arts, books and entertainment. On Saturdays in the 1990s he moonlighted as a football reporter, culminating in his first book, a biography of Arsène Wenger. His next book, Blizzard: Race to the Pole, was about the heroic age of Antarctic exploration. I Found My Horn: One Man’s Struggle with the Orchestra’s Most Difficult Instrument (published as A Devil to Play in the US) was followed by Bred of Heaven: One Man’s Quest to Reclaim His Welsh Roots. Both were abridged as a Book of the Week on BBC Radio 4. More recently he wrote Let’s Do It: The Authorised Biography of Victoria Wood, and edited an anthology of her archival treasures in Victoria Wood Unseen on TV. He is also the biographer of Florence Foster Jenkins. The stage version of I Found My Horn, co-adapted with Jonathan Guy Lewis, is his only play.

Harry Burton

(Director)

Harry Burton is an actor, director, teacher, coach, writer and film-maker. As an actor he has played many Shakespearean roles at the Open Air Theatre, Regent’s Park. He created roles in theatrical world premieres by Noël Coward & Harold Pinter. As a director his West End revival of Harold Pinter’s The Dumb Waiter won many awards. His West End directing credits also include the world première of Barking in Essex by Clive Exton. On TV he directed the acclaimed Channel 4 documentary Working With Pinter. He also co-produced the Emmy-winning documentary A Thousand Years of Joy, about the late American poet, mythologist and activist Robert Bly. Last year his London production of I Found My Horn transferred from the White Bear Theatre to Riverside Studios. Harry regularly directs and teaches internationally at various universities and drama schools.  His recent acting work includes Bob Marley: One Love and FBI International. Harry lives in London with his wife, and has recently become a grandfather for the first time.

Francesco Libetta

Program:

  • F. Liszt (1811-1886), C. F. Gounod (1818-1893)
    • Valse de l’Opéra Faust de Gounod     À Monsieur le Baron Alexis des Michels
  • F. F. Chopin (1810-1849)
    • Etudes op. 25 n. 1, 2, 5, 8, 12.    à Madame la Comtesse d’Agoult
    • Berceuse op. 57.    à Mademoiselle Elise Gavard
    • Valzer
      • op. 64 n. 1.    à Madame la Comtesse Delphine Potocka
      • op. 64 n. 2.    à Madame la Baronne Nathaniel de Rothschild
      • op. 64 n. 3.    à Madamoiselle la Comtesse Catherine Branicka
    • Scherzo op. 31.    à Mademoiselle la Comtesse Adèle de Fürstenstein
  • van Beethoven (1770-1827)
    • Sonata Op. 109.    dem Fräulein Maximiliana Brentano gewidmet
  • Ravel (1875-1935)
    • Jeux d’eau.    à mon cher Maitre Gabriel Fauré
    • La Valse.    à Misia Sert

Francesco Libetta

For the New York Times Libetta is “Poet-aristocrat with the profile and carriage of a Renaissance prince,” while for Le Monde de la Musique “l’éritier des Moritz Rosenthal, des Busoni et des Godowsky,” and for Corriere della Sera “a lordliness we thought lost in the archives of piano performance.” D’Avalos dedicated all his solo piano pieces to him, and Paolo Isotta called him “the greatest living pianist.” He has made piano integrals of Beethoven, Händel, Chopin, Godowsky, Paisiello, Bosso; he has released recordings of Schumann, Liszt, Ligeti, Ravel, Debussy. His recordings are multi-awarded by Diapason, Le Monde de la Musique, Classique, Amadeus among many others. He has collaborated with conductors such as Pappano, Andreae, Mandeal and artists such as Sollima, Caterina Antonacci, Devia, Italian actors such as Boni, Laurito, Preziosi, Marchini, dancers such as Carla Fracci and founded the dance group Corerofonie. After studying composition with Marinuzzi in Rome and Castérède in Paris, he wrote music for theater, cinema, acousmatic, chamber, symphonic, and the opera L’Assedio di Otranto, staged in Puglia and Rome and published on CD. “Libetta composer is poet doctus,” Isotta wrote, enshrining the profile of one of the world’s most esteemed and versatile Italian artists, from conducting to working as a musical essayist, director of visual art and in turn starring in documentaries by Monsaingeon and Battiato, after teaching at the Miami Piano Festival and now in Martina Franca with the Grassi Foundation, Libetta is Steinway Artist.

Raffaele Pe, Countertenor

The art of singing
VIVALDI: Cantatas

The Swingle Singers

The Art of Singing

Together at Christmas

Fillipo Gorini, Piano

Solo Piano
Program
  • BERG: Sonata, Op. 1
  • BEETHOVEN: Variations in C major on a Waltz by Diabelli, Op. 120

Anne Queffélec, Piano

Solo Piano
Program:
  • BEETHOVEN: Sonata No. 30 in E major, Op. 109
  • BEETHOVEN: Sonata No. 31 in A-flat major, Op. 110
  • BEETHOVEN: Sonata No. 32 in C minor, Op. 111

MUSICA&… | Battaglie e Follie

L’ASTRÉE – Baroque Group
  • SANDRO CAPPELLETTO, LAURA TORELLI Narrators
  • FRANCESCO D’ORAZIO, PAOLA NERVI violins
  • DANIELE BOVO cello
  • PIETRO PROSSER theorbo and baroque guitar
  • GIORGIO TABACCO harpsichord
PROGRAM

    • FALCONIERO: Batalla de Barabasso y Satanas, Folias echa para mi Senora Dona Tarolilla de Caralleno
    • BERIO: From “Duetti per due violini”: Peppino,Alfredo
    • CORELLI: Sonata in D minor op. 5 no. 12, “La Follia”, for violin and basso continuo
    • BERIO: From “Duetti per due violini”: Annie, Aldo
    • UCCELLINI: La Vittoria Trionfante, Sonata for violin and basso continuo
  • VIVALDI:Trio Sonata in G major, RV 71, for two violins and basso continuo, Trio Sonata in B-flat major, RV 77, for two violins and basso continuo, Trio Sonata in D minor, “La Follia”, RV 63, for two violins and basso continuo

Quatuor Arod

The World of the Quartet
Program:
  • BEETHOVEN:** Quartet No. 6 in B-flat major, Op. 18 No. 6
  • SZYMANOWSKI:** Quartet No. 2, Op. 56
  • SCHUMANN:** Quartet No. 3 in A major, Op. 41 No. 3

MUSICA&… | Musica Differenziata

TETRAKTIS PERCUSSIONI

“Playing with an empty can is fun for every self-respecting child.”

Objects often have more than one use. A bag can become a mask or a balloon, an empty can can be a ball or a maraca, a sheet of paper turns into an airplane.

Taking inspiration from this simple truth, we want to address a very current issue, such as the separate collection of waste, focusing on a particular topic that characterizes our research: SOUND.

We start from the concept that every material has its own sound. Each of us surely notices this when we go to throw empty bottles into the glass bin (just to evoke a sound that remains impressed). But it’s not just glass that sounds! Wood sounds, plastic sounds, paper sounds, iron sounds, and if we think about it, organic matter sounds too.

Percussionists know well that every material has its own sound: in the infinite percussion instrumentarium, there are instruments made from all possible materials (or almost). And every object can become an instrument on which to create RHYTHM.

The ever-growing attention of society towards the problem of waste, its excessive production, and the way to reuse it concerns all sectors of the economic and social fabric of all continents of the earth, but it is in the West that, at the beginning of the 20th century, people began to worry and seek political, economic, and cultural solutions to this problem.

On one side, politicians, scientists, and economists seek practical solutions, on the other, the world of education, philosophers, and artists with their works contribute to the development of a collective consciousness around the topic.

It is on the basis of these brief considerations and the attention to “sound” and “rhythm” that the idea of ​​creating a project that addresses this topic from a musical point of view was born.

The project includes six sections distinguished by the materials used. The selected music comes from the modern and contemporary repertoire (Steve Reich, John Cage,) and from popular traditions of the world that use everyday objects as instruments.

TETRAKTIS PERCUSSIONI

  • Gianni Maestrucci
  • Laura Mancini
  • Leonardo Ramadori
  • Gianluca Saveri
  • REICH: Music for pieces of wood
  • PIVAK: Music for paper bags
  • CAGE: Living Room Music
  • SAVERI: Cucchiai
  • RAMADORI: Tubi n. 2
  • CAGE: Third Construction
  • SOLLIMA: Millennium Bug
  • TRADIZIONALE: Batuquada

Hershey Felder’s Great American Songbook Sing-Along

Internationally-acclaimed pianist and performer Hershey Felder takes the stage for one night only with his Great American Songbook Sing-Along. For this special musical event, Felder will share stories and lead the audience through 100 years of American music, featuring a selection of songs by beloved composers including Irving Berlin, Rodgers and Hammerstein, Leonard Bernstein, Stephen Sondheim, George and Ira Gershwin, Jerome Kern, and many more.